Title: African-American Christianity: essays in history
Author: Johnson, Paul E 1942-
Published: University of California Press,  1994
Subjects: History | United States History | African  American  Studies | Christianity
Publisher's Description: Eight leading scholars have joined forces to give us the most comprehensive book to date on the history of African-American religion from the slavery period to the present.Beginning with Albert Raboteau's essay on the importance of the story of Exodus among African-American Christians and concluding with Clayborne Carson's work on Martin Luther King, Jr.'s religious development, this volume illuminates the fusion of African and Christian traditions that has so uniquely contributed to American religious development. Several common themes emerge: the critical importance of African roots, the traumatic discontinuities of slavery, the struggle for freedom within slavery and the subsequent experience of discrimination, and the remarkable creativity of African-American religious faith and practice. Together, these essays enrich our understanding of both African-American life and its part in the history of religion in America.   [brief]
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Title: Black workers remember: an oral history of segregation, unionism, and the freedom struggle
Author: Honey, Michael K
Published: University of California Press,  2000
Subjects: History | United States History | Labor Studies | African  American  Studies
Publisher's Description: The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. Spanning the 1930s to the present, Black Workers Remember tells the hidden history of African American workers in their own words. It provides striking firsthand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era. Together, the stories demonstrate how black workers resisted racial apartheid in American industry and underscore the active role of black working people in history.The individual stories are arranged thematically in chapters on labor organizing, Jim Crow in the workplace, police brutality, white union racism, and civil rights struggles. Taken together, the stories ask us to rethink the conventional understanding of the civil rights movement as one led by young people and preachers in the 1950s and 1960s. Instead, we see the freedom struggle as the product of generations of people, including workers who organized unions, resisted Jim Crow at work, and built up their families, churches, and communities. The collection also reveals the devastating impact that a globalizing capitalist economy has had on black communities and the importance of organizing the labor movement as an antidote to poverty.QQ Michael Honey gathered these oral histories for more than fifteen years. He weaves them together here into a rich collection reflecting many tragic dimensions of America's racial history while drawing new attention to the role of workers and poor people in African American and American history.   [brief]
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Title: Colored White: transcending the racial past
Author: Roediger, David R
Published: University of California Press,  2002
Subjects: Ethnic Studies | African  American  Studies | United States History | Immigration
Publisher's Description: David R. Roediger's powerful book argues that in its political workings, its distribution of advantages, and its unspoken assumptions, the United States is a "still white" nation. Race is decidedly not over. The critical portraits of contemporary icons that lead off the book--Rush Limbaugh, Bill Clinton, O.J. Simpson, and Rudolph Giuliani--insist that continuities in white power and white identity are best understood by placing the recent past in historical context. Roediger illuminates that history in an incisive critique of the current scholarship on whiteness and an account of race-transcending radicalism exemplified by vanguards such as W.E.B. Du Bois and John Brown. He shows that, for all of its staying power, white supremacy in the United States has always been a pursuit rather than a completed project, that divisions among whites have mattered greatly, and that "nonwhite" alternatives have profoundly challenged the status quo. Colored White reasons that, because race is a matter of culture and politics, racial oppression will not be solved by intermarriage or demographic shifts, but rather by political struggles that transform the meaning of race--especially its links to social and economic inequality. This landmark work considers the ways that changes in immigration patterns, the labor force, popular culture, and social movements make it possible--though far from inevitable--that the United States might overcome white supremacy in the twenty-first century. Roediger's clear, lively prose and his extraordinary command of the literature make this one of the most original and generative contributions to the study of race and ethnicity in the United States in many decades.   [brief]
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Title: Engaged surrender: African American women and Islam
Author: Rouse, Carolyn Moxley 1965-
Published: University of California Press,  2004
Subjects: Anthropology | American Studies | Religion | African  American  Studies | Sociology
Publisher's Description: Commonly portrayed in the media as holding women in strict subordination and deference to men, Islam is nonetheless attracting numerous converts among African American women. Are these women "reproducing their oppression," as it might seem? Or does their adherence to the religion suggest unsuspected subtleties and complexities in the relation of women, especially black women, to Islam? Carolyn Rouse sought answers to these questions among the women of Sunni Muslim mosques in Los Angeles. Her richly textured study provides rare insight into the meaning of Islam for African American women; in particular, Rouse shows how the teachings of Islam give these women a sense of power and control over interpretations of gender, family, authority, and obligations. In Engaged Surrender, Islam becomes a unique prism for clarifying the role of faith in contemporary black women's experience. Through these women's stories, Rouse reveals how commitment to Islam refracts complex processes - urbanization, political and social radicalization, and deindustrialization - that shape black lives generally, and black women's lives in particular. Rather than focusing on traditional (and deeply male) ideas of autonomy and supremacy, the book - and the community of women it depicts - emphasizes more holistic notions of collective obligation, personal humility, and commitment to overarching codes of conduct and belief. A much-needed corrective to media portraits of Islam and the misconceptions they engender, this engaged and engaging work offers an intimate, in-depth look into the vexed and interlocking issues of Islam, gender, and race.   [brief]
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Title: A life's mosaic: the autobiography of Phyllis Ntantala 
Author: Ntantala, Phyllis
Published: University of California Press,  1993
Subjects: Literature | African Studies | Autobiography | African  American  Studies
Publisher's Description: "Like Trotsky, I did not leave home with the proverbial one-and-six in my pocket. I come from a family of landed gentry . . . [and] could have chosen the path of comfort and safety, for even in apartheid South Africa, there is still that path for those who will collaborate. But I chose the path of struggle and uncertainty." - from the Preface Born into the small social elite of black South Africa, Phyllis Ntantala did not face the grinding poverty so familiar to other South African blacks. Instead, her struggle was that of a creative, articulate woman seeking fulfillment and justice in a land that tried to deny her both.The widow of Xhosa writer and historian A.C. Jordan and mother of African National Congress leader Z. Pallo Jordan, she and her family experienced a period of tremendous change in South Africa and also in the United States, where they moved during the 1960s. She discovers similarities in the two countries, including the arrogance of power.Anchored in history and culture, A Life's Mosaic sharply reveals the world and the people of South Africa. As the story of a political exile, it represents the dislocations that have caused universal suffering in the second half of the twentieth century. Phyllis Ntantala discusses the cruelty of racism, the cynicism of political solutions, and the hopes of those who live in both a world of exile and a world of dreams.   [brief]
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Title: Marcus Garvey, life and lessons: a centennial companion to The Marcus Garvey and Universal Negro Improvement Association papers
Author: Hill, Robert A 1943-
Published: University of California Press,  1987
Subjects: History | United States History | African  American  Studies
Publisher's Description: "I do not speak carelessly or recklessly but with a definite object of helping the people, especially those of my race, to know, to understand, and to realize themselves." - Marcus Garvey, Halifax, Nova Scotia, 1937A popular companion to the scholarly edition of The Marcus Garvey and Universal Negro Improvement Association Papers , this volume is a collection of autobiographical and philosophical works produced by Garvey in the period from his imprisonment in Atlanta to his death in London in 1940.   [brief]
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Title: Busing and backlash: white against white in a California school district Lillian B. Rubin 
Author: Rubin, Lillian B
Published: University of California Press,  1973
Subjects: Sociology | Urban Studies | American Studies | African  American  Studies
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Title: Redefining Black film
Author: Reid, Mark (Mark A.)
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | African  American  Studies
Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.Reid's innovative critical approach, which transcends the "black-image" language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.   [brief]
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Title: Not our kind of girl: unraveling the myths of Black teenage motherhood
Author: Kaplan, Elaine Bell
Published: University of California Press,  1997
Subjects: Social Science | Gender Studies | African  American  Studies
Publisher's Description: One of the most worrisome images in America today is that of the teenage mother. For the African-American community, that image is especially troubling: All the problems of the welfare system seem to spotlight the black teenage mom. Elaine Bell Kaplan's affecting and insightful book dispels common perceptions of these young women. Her interviews with the women themselves, and with their mothers and grandmothers, provide a vivid picture of lives caught in the intersection of race, class, and gender.Kaplan challenges the assumption conveyed in the popular media that the African-American community condones teen pregnancy, single parenting, and reliance on welfare. Especially telling are the feelings of frustration, anger, and disappointment expressed by the mothers and grandmothers Kaplan interviewed. And in listening to teenage mothers discuss their problems, Kaplan hears first-hand of their misunderstandings regarding sex, their fraught relationships with men, and their difficulties with the educational system - all factors that bear heavily on their status as young parents.Kaplan's own experience as an African-American teenage mother adds a personal dimension to this book, and she offers substantial proposals for rethinking and reassessing the class factors, gender relations, and racism that influence black teenagers to become mothers.   [brief]
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Title: Between Sundays: Black women and everyday struggles of faith
Author: Frederick, Marla Faye 1972-
Published: University of California Press,  2003
Subjects: Religion | African  American  Studies | Women's Studies | Politics | Anthropology | Christianity
Publisher's Description: To be a black woman of faith in the American South is to understand and experience spirituality in a particular way. How this understanding expresses itself in everyday practices of faith is the subject of Between Sundays, an innovative work that takes readers beyond common misconceptions and narrow assumptions about black religion and into the actual complexities of African American women's spiritual lives. Gracefully combining narrative, interviews, and analysis, this book explores the personal, political, and spiritual commitments of a group of Baptist women whose experiences have been informed by the realities of life in a rural, southern community. In these lives, "spirituality" emerges as a space for creative agency, of vital importance to the ways in which these women interpret, inform, and reshape their social conditions--conditions often characterized by limited access to job opportunities, health care, and equitable schooling. In the words of these women, and in Marla F. Frederick's deft analysis, we see how spirituality - expressed as gratitude, empathy, or righteous discontent - operates as a transformative power in women's interactions with others, and in their own more intimate renegotiations of self.   [brief]
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Title: Rara!: vodou, power, and performance in Haiti and its diaspora
Author: McAlister, Elizabeth A
Published: University of California Press,  2002
Subjects: Religion | Cultural Anthropology | African  American  Studies | American Studies | Latin American Studies
Publisher's Description: Rara is a vibrant annual street festival in Haiti, when followers of the Afro-Creole religion called Vodou march loudly into public space to take an active role in politics. Working deftly with highly original ethnographic material, Elizabeth McAlister shows how Rara bands harness the power of Vodou . . . [more]
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Title: Black magic: religion and the African American conjuring tradition
Author: Chireau, Yvonne Patricia 1961-
Published: University of California Press,  2003
Subjects: Religion | African Studies | American Studies | United States History | African  American  Studies
Publisher's Description: Black Magic looks at the origins, meaning, and uses of Conjure - the African American tradition of healing and harming that evolved from African, European, and American elements - from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.   [brief]
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Title: Writing tricksters: mythic gambols in American ethnic literature 
Author: Smith, Jeanne Rosier 1966-
Published: University of California Press,  1997
Subjects: Literature | Ethnic Studies | African  American  Studies | Asian Literature | Native American Studies
Publisher's Description: Writing Tricksters examines the remarkable resurgence of tricksters - ubiquitous shape-shifters who dwell on borders, at crossroads, and between worlds - on the contemporary cultural and literary scene. Depicting a chaotic, multilingual world of colliding and overlapping cultures, many of America's most successful and important women writers are writing tricksters. Taking up works by Maxine Hong Kingston, Louise Erdrich, and Toni Morrison, Jeanne Rosier Smith accessibly weaves together current critical discourses on marginality, ethnicity, feminism, and folklore, illuminating a "trickster aesthetic" central to non-Western storytelling traditions and powerfully informing American literature today.   [brief]
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Title: William Grant Still: a study in contradictions 
Author: Smith, Catherine Parsons 1933-
Published: University of California Press,  2000
Subjects: Music | Composers | African  American  Studies | Autobiographies and Biographies
Publisher's Description: During the 1930s and 1940s William Grant Still (1895-1978) was known as the "Dean of Afro-American Composers." He worked as an arranger for early radio, on Broadway, and in Hollywood; major symphony orchestras performed his concert works; and an opera, written in collaboration with Langston Hughes, was produced by the New York City Opera. Despite these successes the composer's name gradually faded into obscurity. This book brings William Grant Still out of the archives and examines his place in America's musical heritage. It also provides a revealing window into our recent cultural past.Until now Still's profound musical creativity and cultural awareness have been obscured by the controversies that dogged much of his personal and professional life. New topics explored by Catherine Parsons Smith and her contributors include the genesis of the Afro American Symphony , Still's best-known work; his troubled years in film and opera; and his outspoken anticommunism.   [brief]
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Title: Jazz cultures
Author: Ake, David Andrew 1961-
Published: University of California Press,  2002
Subjects: Music | American Music | Jazz | Ethnomusicology | American Studies | African  American  Studies | Jazz
Publisher's Description: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz Cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.   [brief]
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Title: Blood politics: race, culture, and identity in the Cherokee Nation of Oklahoma
Author: Sturm, Circe 1967-
Published: University of California Press,  2002
Subjects: Anthropology | Cultural Anthropology | Native American Studies | Native American Ethnicity | African  American  Studies
Publisher's Description: Circe Sturm takes a bold and original approach to one of the most highly charged and important issues in the United States today: race and national identity. Focusing on the Oklahoma Cherokee, she examines how Cherokee identity is socially and politically constructed, and how that process is embedded in ideas of blood, color, and race. Not quite a century ago, blood degree varied among Cherokee citizens from full blood to 1/256, but today the range is far greater--from full blood to 1/2048. This trend raises questions about the symbolic significance of blood and the degree to which blood connections can stretch and still carry a sense of legitimacy. It also raises questions about how much racial blending can occur before Cherokees cease to be identified as a distinct people and what danger is posed to Cherokee sovereignty if the federal government continues to identify Cherokees and other Native Americans on a racial basis. Combining contemporary ethnography and ethnohistory, Sturm's sophisticated and insightful analysis probes the intersection of race and national identity, the process of nation formation, and the dangers in linking racial and national identities.   [brief]
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Title: From savage to Negro: anthropology and the construction of race, 1896-1954
Author: Baker, Lee D 1966-
Published: University of California Press,  1998
Subjects: Anthropology | Cultural Anthropology | Ethnic Studies | African  American  Studies | United States History | Sociology
Publisher's Description: Lee D. Baker explores what racial categories mean to the American public and how these meanings are reinforced by anthropology, popular culture, and the law. Focusing on the period between two landmark Supreme Court decisions - Plessy v. Ferguson (the so-called "separate but equal" doctrine established in 1896) and Brown v. Board of Education (the public school desegregation decision of 1954) - Baker shows how racial categories change over time.Baker paints a vivid picture of the relationships between specific African American and white scholars, who orchestrated a paradigm shift within the social sciences from ideas based on Social Darwinism to those based on cultural relativism. He demonstrates that the greatest impact on the way the law codifies racial differences has been made by organizations such as the NAACP, which skillfully appropriated the new social science to exploit the politics of the Cold War.   [brief]
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Title: One of the children: gay black men in Harlem 
Author: Hawkeswood, William G d. 1992
Published: University of California Press,  1997
Subjects: Gender Studies | GayLesbian and Bisexual Studies | African  American  Studies | Cultural Anthropology
Publisher's Description: Gay black men, a thriving subculture of the black and gay communities, are doubly marginalized. Along with other black men, they are typically portrayed in the media and literature as "street corner men" - unemployed drifters, absentee fathers, substance abusers. In the larger gay community, they are an invisible minority. One of the Children , the first formal cultural study of gay black men in Harlem, not only illuminates this segment of America's gay population but presents a far richer, more diverse portrait of black men's lives than is commonly perceived.Based on two years' intensive research - during which the author lived in Harlem's gay community - including extensive interviews with fifty-seven community members, this book depicts gay black men's lives in all their social, economic, and cultural complexity. William Hawkeswood takes us from the street into the homes and lives of his subjects. He describes the elaborate network of friends, called "family," that supports these men emotionally and financially, and the community's two-tiered economic structure, comprising gay men and "boys," or hustlers.Hawkeswood also explores what it means for these men to be both gay and black. In the process, he makes the surprising discovery that while the AIDS virus looms all around them, it has not yet significantly affected the community of gay blacks who choose their sexual partners exclusively from among Harlem's other gay black men.   [brief]
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Title: What is this thing called jazz?: African American musicians as artists, critics, and activists
Author: Porter, Eric (Eric C.)
Published: University of California Press,  2002
Subjects: Music | History | United States History | American Studies | African  American  Studies | American Music | Contemporary Music | Jazz
Publisher's Description: Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.   [brief]
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Title: Pioneer urbanites: a social and cultural history of Black San Francisco 
Author: Daniels, Douglas Henry
Published: University of California Press,  1991
Subjects: American Studies | African  American  Studies | Social Problems | California and the West | United States History
Publisher's Description: The black migration to San Francisco and the Bay Area differed from the mass movement of Southern rural blacks and their families into the eastern industrial cities. Those who traveled West, or arrived by ship, were often independent, sophisticated, single men. Many were associated with the transportation boom following the Gold Rush; others traveled as employees of wealthy individuals.Douglas Daniels argues for the importance of going beyond the written record and urban statistics in examining the life of a minority community. He has studied photographs from family albums and interviewed members of old black San Francisco families in his effort to provide the first nuanced picture of the lives of black San Franciscans from the 1860s to the 1940s.   [brief]
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